Swedish master medical photographer Lennart Nilsson is a pioneer in medical photography．In association with researchers and with the help of advanced, specially designed equipment, he has documented the inside of man down to the level of a cell with his camera.
Born in Strängnäs, a satellite city of Stockholm, in 1922, Nilsson got his first camera from his father when he was 11 years old．From the early stage, he has been interested in looking at ants and taking photos of them.Throughout the years, he has devoted special attention to capturing the creation of a human being, from conception to birth.
In 2006 when his photo book Life was published in both Swedish and English, he was invited to give a lecture at the Stockholm bookstore．He vividly described to the public how he took the photos so that the development process of the embryo can be understood better．Finally when he was signing his name in the book, I asked him what made him so passionate about working on this, he stopped writing and thought for a second, “I think it is the respect for life,” Nilsson said.
Nilsson began his career as a photographic journalist in the middle of the 1940s and published a numbe
r of
pho
to-essays in Swedish and foreign magazines, including "Polar Bear Hunting in Spitzbergen" (1947) and Midwife.
“When I went to the professor to take the embryo photo, I was looking around and then I saw something which was unbelievable, it was
a tiny human embryo lies in a very special place, a 10-20 millimeter embryo with hands, arms and eyes, and I got a shock,” Nilsson said.
Nilsson began experimenting with new photographic techniques in the mid-1950s to report on the world of ants and life in the sea．H
is revealing macro-studies were published in his book on ants, Myror (1959), and in the Life in the Sea (1959), and in Close to Nature (1984)．In the 1960s special designed, very slim endoscopes (內(nèi)窺鏡))made it possible f
or him to photograph the blood vessels and the cavities (空洞) of the body with the necessary depth of field and, in 1970, he used a scanning electron microscope for the first tim
e, he was also considered the pioneer for three dimension digital pictures of the body organs.
After his photographs of human embryo were published, he was encouraged to continue photographing the origins of human being.
Nilsson is very modest and sincere．At age of nearly 88, he is still cooperating with colleagues in Karolinska Institute where the Nobel Prize in Physiology or Medicine is selected every year.
“He can forget all the other things when
he is working and he is still working diligently,” Mrs Nilsson told People’s Daily Online.
小題1:Why does Nilsson want to document the creation of a human being?
| A．Because he is a pioneer in medical photography. |
| B．Because he has been interested in taking photos. |
| C．Because he thinks it a way to show respect for life. |
| D．Because he wished to win a Nobel Prize. |
小題2:What ca
n we learn from the passage?
| A．Nilsson was the only expert in medical photography. |
| B．Nilsson’s camera is specially designed. |
| C．Nilsson’s photo book Life is better received than his other books. |
| D．Nilsson has always been working alone． |
小題3:How many books written by Nilsson are mentioned in this passage?
小題4:Which of the following word can Not be used to describe Nilsson?
| A．Passionate. | B．Devoted. | C．Forgetful. | D．Dillgent. |
小題5:What can be the title for the passage?
| A．Nilsson, a pioneer medical photographer. |
| B．Nilsson, a pioneer medical publisher |
| C．Nilsson, a person of rich experience |
| D．Nilsson, a talented photographer |
名校課堂系列答案
d quietly 38 . He 39 to Tom in a rough voice, "Don't be too clever." And he went away.
o slip away as soon as possible 42 of information that would clear Jay of all 43 and bring the true criminal(罪犯) to justice.
ivate. Publicly, he only said that it was “a fine example of modern art”. His friends smiled: it was well-known that Sir Winston didn’t care for modern art. 
ing, and a heated argument broke out. The painter was understandably sad. The artistic community, shocked and angry, claimed that the destruction of the picture had been a crime. Historians said that they regretted the disappearance of a historical document. All agreed that Churchills didn’t have the right to do what they had done.
ll-known modern artist B.Parliament
