Early experiences taught me not to be overly _ about shopping by mobile phone because there is a high risk of being cheated.
A. particular B. enthusiastic
C. cautious D. casual
科目:高中英語 來源:2015屆浙江蒼南巨人中學(xué)等三校高二下第二次聯(lián)考英語試卷(解析版) 題型:單項填空
After reading her writing, every teacher came to the _______ that she was a very careful and promising girl..
A. conclusion B. decision
C. impression D. opinion
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科目:高中英語 來源:2015屆浙江省溫州市十校聯(lián)合體高二下學(xué)期期中聯(lián)考英語試卷(解析版) 題型:閱讀理解
You may not pay much attention to your daily elevator ride. Many of us use a lift several times during the day without really thinking about it. But Lee Gray, PhD, of the University of North Carolina, US, has made it his business to examine this unnoticed form of public transport. He is known as the “Elevator Guy”.
“The lift becomes this interesting social space where behaviors are sort of odd (奇怪的),” Gray told the BBC. “They (elevators) are socially very interesting but often very awkward places.”
We walk in and usually turn around to face the door. If someone else comes in, we may have to move. And here, according to Gray, liftusers unthinkingly go through a set pattern of movements. He told the BBC what he had observed.
He explained that when you are the only one inside a lift, you can do whatever you want – it’s your own little box.
If there are two of you, you go into different corners, standing diagonally (對角線地) across from each other to create distance.
When a third person enters, you will unconsciously form a triangle. And when there is a fourth person it becomes a square, with someone in every corner. A fifth person is probably going to have to stand in the middle.
Newcomers to the lift will need to size up the situation when the doors slide open and then act decisively. Once in, for most people the rule is simple – look down, or look at your phone.
Why are we so awkward in lifts?
“You don’t have enough space,” Professor Babette Renneberg, a clinical psychologist at the Free University of Berlin, told the BBC. “Usually when we meet other people we have about an arm’s length of distance between us. And that’s not possible in most elevators.”
In such a small, enclosed space it becomes very important to act in a way that cannot be understood as threatening or odd. “The easiest way to do this is to avoid eye contact,” she said.
1.The main purpose of the article is to _____.
A. remind us to enjoy ourselves in the elevator
B. analyze what makes people feel awkward in an elevator
C. share an interesting but awkward elevator ride
D. tell us some unwritten rules of elevator behaviors
2.Which of the following describes how people usually stand when there are at least two people in an elevator?
3.The underlined phrase “size up” in Paragraph 7 is closest in meaning to _____.
A. ignore B. judge C. put up with D. make use of
4.According to the article, people feel awkward in lifts because of _____.
A. the lack of space
B. someone’s strange behaviors
C. their unfamiliarity with one another
D. their eye contact with one another
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科目:高中英語 來源:2015屆浙江省溫州市十校聯(lián)合體高二下學(xué)期期中聯(lián)考英語試卷(解析版) 題型:單項填空
The majority of people in the town strongly ____ the plan to build a playground for children.
A. consider B. support C. confirm D. submit
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科目:高中英語 來源:2015屆浙江省溫州市十校聯(lián)合體高三上學(xué)期期初聯(lián)考英語試卷(解析版) 題型:閱讀理解
The aims of the Illustrators’ (插圖畫家的) Exhibition, staged as part of the Bologna Children’s Book Fair, organized by BolognaFiere and held from 23to 26 December 2011, are to bring illustrators and publishers together and to promote illustrators and their works among publishers.
QUALIFICATIONS
?Individual illustrators or groups of illustrators of any nationality, if they were born before 31st December 1992, whose artwork is intended for use in children’s books, are qualified to enter the Exhibition, either directly or through publishing houses or schools.
?Please state in the application form whether you are entering work for the Fiction or Nonfiction Category. Illustrators may only enter one category.
?Artwork previously presented to the Exhibition may not be re-entered.
?The confirmation (確認(rèn)) form must be filled in and a photograph attached, then presented together with illustrations no later than 15 October 2011.
SHIPMENT
Entries may be delivered by post, express delivery service or by hand. From abroad, please use the following forms: Form “A” for registered mail or post by air; Form “B” if using an international forwarding agent or airline. To avoid delays, material should not be sent by normal post. Material should be sent “carriage paid”, including any customs and delivery costs.
BolognaFiere may not be held responsible for the non-arrival or late arrival of artwork. All published works must be accompanied by a declaration bearing the ISBN number, publisher’s name and address.
REQUIREMENTS
The illustrations (i.e. the size of the sheet) must not exceed (超過) the following dimensions:
Fiction: 32×42 cm (or 42 × 32 cm)
Non-fiction: 50 ×70 cm (70 × 50cm)
Illustrations in larger formats will not be considered, nor will they be returned by BolognaFiere. The illustrations must be on paper or flexible board, maximum thickness 2mm (for scanner separation purposes).
SELECTION PROCESS
All artwork received by the stated deadline and meeting the specified requirements will be examined and selected by an international group (whose decision is final), including five members (from publishing house and art schools) appointed each year by BolognaFiere.
EXHIBITIONS ABROAD
After the Bologna event, the Illustrators Exhibition will travel to Japan under the supervision of JBBY. The Illustrators Exhibition may afterwards be transferred to other venues(場館) in other countries. The exhibitions of illustrations held abroad follow the same rules and regulations as the Illustrators Exhibition, and the provisions (條款) of the regulations are extended to the organizers of the exhibitions held abroad.
RETURN OF ARTWORK
All the works will be returned to their owners by BolognaFiere or directly by the organizers of the exhibitions and held abroad by the end of July 2013.
1.Which of the following of the Illustrators’ Exhibition is true?
A. It will last five days in all in July every other year.
B. It is intended for college students who are good at painting.
C. It is held by the Bologna Children’s Book Fair in BolognaFiere.
D. It can strengthen the relationship between illustrators and publishers.
2.The illustrators of the Illustrators Exhibition __________.
A. should be at least 16 and no more than 25
B. may re-enter their artwork after it is returned
C. should state the category of their artwork clearly
D. may choose to attach a photo to the application form
3.What is BolognaFiere responsible for?
A. Paying for the delivery costs
B. Late arrival of artwork
C. Confirmation of ISBN number
D. Returning the illustrators’ works
4.The illustrators’ works will not be considered if they .
A. are received after the day of 15 October 2011
B. are smaller than the required size
C. have already been published abroad before
D. don’t meet the demands of the international experts
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科目:高中英語 來源:2015屆浙江省溫州市十校聯(lián)合體高三上學(xué)期期初聯(lián)考英語試卷(解析版) 題型:單項填空
In most cases, college graduates don't mind what job they will do so long as it is one ______ they can earn money to support themselves.
A. what B. where
C. thatD. how
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科目:高中英語 來源:2015屆浙江省溫州市十校聯(lián)合體高三上學(xué)期期初聯(lián)考英語試卷(解析版) 題型:單項填空
The more _________ we take the safety standards, the further we can speed up the development of the school bus industry.
A. constantlyB. seriously
C. generallyD. immediately
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科目:高中英語 來源:2015屆浙江省桐鄉(xiāng)市高二下學(xué)期期中測試英語卷(解析版) 題型:單項填空
He didn’t make____clear when and where the meeting would be held.
A. this B.that C. it D.these
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科目:高中英語 來源:2015屆浙江省高二下學(xué)期期中考試英語試卷(解析版) 題型:閱讀理解
Sometimes, the simplest ideas are the best. For example, to absorb heat from the sun to heat water, you need large, flat, black surfaces. One way to do that is to build those surfaces specially, on the roofs of buildings. But why go to all that trouble when cities are full of black surfaces already, in the form of asphalt (柏油) roads?
Ten years ago, this thought came into the mind of Arian de Bondt, a Dutch engineer. He finally persuaded his boss to follow it up. The result is that their building is now heated in winter and cooled in summer by a system that relies on the surface of the road outside.
The heat-collector is a system of connected water pipes. Most of them ran from one side of the street to the other, just under the asphalt road. Some, however, dive deep into the ground.
When the street surface gets hot in summer, water pumped through the pipes picks up this heat and takes it underground through one of the diving pipes. At a depth of 100 meters lies a natural aquifer (蓄水層) into which several heat exchangers (交換器) have been built. The hot water from the street runs through these exchangers, warming the ground-water, before returning to the surface through another pipe. The aquifer is thus used as a heat store.
In winter, the working system is changed slightly. Water is pumped through the heat exchangers to pick up the heat stored during summer. This water goes into the building and is used to warm the place up. After performing that task, it is pumped under the asphalt and its remaining heat keeps the road free of snow and ice.
1.Which of the following is TRUE according to the first two paragraphs?
A. Arian de Bondt got his idea from his boss.
B. Large, flat, black surfaces need to be built in cities.
C. Heat can also be collected from asphalt roads.
D. The Dutch engineer's system has been widely used.
2.For what purpose are the diving pipes used?
A. To absorb heat from the sun.
B. To store heat for future use.
C. To turn solar energy into heat energy.
D. To carry heat down below the surface.
3.From the last paragraph we can learn that _________.
A. the system can do more than warming up the building
B. some pipes have to be re-arranged in winter
C. the exchangers will pick up heat from the street surface
D. less heat may be collected in winter than in summer
4.What is most likely to be discussed in the paragraph that follows?
A. What we shall do if the system goes wrong.
B. What we shall do if there are no asphalt roads.
C. How the system cools the building in summer.
D. How the system collects heat in spring and autumn.
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