Franz Kafka wrote that “A book must be the ax(斧子)for the frozen sea inside us.” I once shared this sentence with a class of seventh graders, and it didn’t seem to require any explanation.
We’d just finished John Steinbeck’s novel Of Mice and Men. When we read the end together out loud in class, my toughest boy, a star basketball player, wept a little, and so did I. “Are you crying?” one girl asked, as she got out of her chair to take a closer look. “I am,” I told her, “and the funny thing is I’ve read it many times.”
But they understood. When George shoots Lennie, the tragedy is that we realize it was always going to happen. In my 14 years of teaching in a New York City public middle school, I’ve taught kids with imprisoned parents, abusive parents, irresponsible parents; kids who are parents themselves; kids who are homeless; kids who grew up in violent neighborhoods. They understand, more than I ever will, the novel’s terrible logic—the giving way of dreams to fate (命運(yùn)).
For the last seven years, I have worked as a reading enrichment teacher, reading classic works of literature(文學(xué)) with small groups of students from grades six to eight. I originally proposed this idea to my headmaster after learning that a former excellent student of mine had transferred out of a selective high school—one that often attracts the literary-minded (有文學(xué)頭腦的) children of Manhattan’s upper classes—into a less competitive school. The daughter of immigrants (移民), with a father in prison, she perhaps felt uncomfortable with her new classmates. I thought additional “cultural capital” could help students like her develop better in high school, where they would unavoidably meet, perhaps for the first time, students who came from homes lined with bookshelves, whose parents had earned Ph.D.’s.
Along with Of Mice and Men, my groups read: Sounder, The Red Pony, Lord of the Flies, Romeo and Juliet and Macbeth. The students didn’t always read from the expected point of view. About The Red Pony, one student said, “it's about being a man, it’s about manliness (男子氣概).” I had never before seen the parallels between Scarface and Macbeth, nor had I heard Lady Macbeth’s soliloquies (獨(dú)白) read as raps, but both made sense; the interpretations were playful, but serious. Once introduced to Steinbeck’s writing, one boy went on to read The Grapes of Wrath and told me repeatedly how amazing it was that “all these people hate each other, and they’re all white.” His historical view was broadening, his sense of his own country deepening. Year after year, former students visited and told me how prepared they had felt in their first year in college as a result of the classes.
Year after year, however, we are increasing the number of practice tests. We are trying to teach students to read increasingly complex texts, not for emotional punch (碰撞) but for text complexity. Yet, we cannot enrich the minds of our students by testing them on texts that ignore their hearts. We are teaching them that words do not amaze but confuse. We may succeed in raising test scores, but we will fail to teach them that reading can be transformative and that it belongs to them.
【小題1】The underlined words in Paragraph 1 probably mean that a book helps to________.

A.realize our dreams
B.give support to our life
C.smooth away difficulties
D.a(chǎn)wake our emotions
【小題2】Why were the students able to understand the novel Of Mice and Men?
A.Because they spent much time reading it.
B.Because they had read the novel before.
C.Because they came from a public school.
D.Because they had similar life experiences.
【小題3】The girl left the selective high school possibly because ________.
A.she was a literary-minded girl
B.her parents were immigrants
C.she couldn’t fit in with her class
D.her father was then in prison
【小題4】To the author’s surprise, the students read the novels ________.
A.creativelyB.passively C.repeatedlyD.carelessly
【小題5】The author writes the passage mainly to ________.
A.introduce classic works of literature
B.a(chǎn)dvocate teaching literature to touch the heart
C.a(chǎn)rgue for equality among high school students
D.defend the current testing system


【小題1】D
【小題2】D
【小題3】C
【小題4】A
【小題5】B

解析試題分析:這篇文章通過(guò)作者的教書(shū)經(jīng)歷指出教文學(xué)一定要觸及心靈,不要只停留于文字表面。
【小題1】根據(jù)When we read the end together out loud in class, my toughest boy, a star basketball player, wept a little, and so did I.故選D。
【小題2】根據(jù)They understand, more than I ever will, the novel’s terrible logic—the giving way of dreams to fate (命運(yùn)).故答案應(yīng)為D。
【小題3】根據(jù)The daughter of immigrants (移民), with a father in prison, she perhaps felt uncomfortable with her new classmates.故選C。
【小題4】根據(jù)Once introduced to Steinbeck’s writing, one boy went on to read The Grapes of Wrath and told me repeatedly how amazing it was that “all these people hate each other, and they’re all white.” His historical view was broadening, his sense of his own country deepening.故選A。
【小題5】根據(jù)全文內(nèi)容以及We are trying to teach students to read increasingly complex texts, not for emotional punch (碰撞) but for text complexity. Yet, we cannot enrich the minds of our students by testing them on texts that ignore their hearts. We are teaching them that words do not amaze but confuse. We may succeed in raising test scores, but we will fail to teach them that reading can be transformative and that it belongs to them,故選B。
考點(diǎn):議論文閱讀理解考查
點(diǎn)評(píng):本題型考查了對(duì)文章段落或某一板塊的理解概括能力。先閱讀問(wèn)題,然后帶著問(wèn)題,再讀全文,找出答題所需要的依據(jù),完成閱讀。在詞義與句義理解的基礎(chǔ)上,結(jié)合上下文總結(jié)歸納某一段或幾段的大意,對(duì)于把握文章主旨,分析全文結(jié)構(gòu)都是至關(guān)重要的。

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科目:高中英語(yǔ) 來(lái)源:湖南省2010屆高考下學(xué)期適應(yīng)性測(cè)試(一) 題型:閱讀理解


PART THREE   READING COMPREHENSION
Directions: Read the following three passages. Each passage is followed by several questions or unfinished statements. For each of them there are four choices marked A, B, C, and D. Choose the one that fits best according to the information given in the passage.
A
Prague
Prague is an ancient European city, featuring one of the most magnificent Old Towns in Europe, along with delicious food, inexpensive shopping and friendly people. Prague is also famous as being home to one of the most famous 20th century writers, Franz Kafka. The famous Czech beer is also one of the reasons to visit Prague.
The narrow streets of the older parts of the town are appealing the visitors to take nice long walk and settle in some of the many restaurants, which offer top-quality foods at a low price. The buildings there are mostly tower-shaped,and so Prague is called “city of a hundred spires.”
Mauritius
Also known as the Paradise on Earth, Mauritius lies about 560 miles (900 km) east of Madagascar in the Indian Ocean. It is a place of magnificent natural beauty coupled with excellent customer service, which makes for an unforgettable romantic experience at the edge of the world’s warmest ocean.
There are lots to see and do in Mauritius: the coral reefs (珊瑚礁)surrounding the island offer stunning beauty and great underwater adventures to those who want to dive into the precious waters. The nature of Mauritius mostly resembles that of Paradise, allowing every couple visiting this island to feel like Adam and Eve. That is an experience nobody would want to miss!
Cyprus
The very name Cyprus, it has been said, glitters with an age-old myth. Today, history and hedonism (快樂(lè)論)are comfortably mixed on the island. Some five-star resorts within walking distance of well-preserved Greek and Roman ruins offer the convenience the modern traveler has come to expect.
Cyprus features a romantic history, as it was Anthony’s gift to his beloved Cleopatra during the glorious days of the Roman Empire. Maybe that is why you feel always a little special once you set foot on Cyprus.
For more information about many other most romantic places in the world, just log on at http://www.jurgita.com.
56. The underlined word “spires” in Paragraph 2 means        .
A. narrow streets                                                B. inexpensive restaurants
C. top-quality foods                                           D. tower-shaped buildings    
57. We learn from the text that Mauritius        .
A. is part of Madagascar                                     B. is an ideal destination for couples
C. is in central Indian Ocean                               D. is most famous for its good service
58. What makes Cyprus different from the other two places?
A. It is located on an island.                                B. It offers charming resorts.
C. It was given as a present.                                D. It has a very long history.
59. A common feature of Mauritius and Cyprus is that they are         .
A. old                     B. romantic            C. rich              D. mysterious
60. What is the main purpose of the author?
A. To attract more visitors.                                   B. To tell traveling experiences.
C. To sell information on line.                                 D. To introduce historical places.

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科目:高中英語(yǔ) 來(lái)源:2012年全國(guó)普通高等學(xué)校招生統(tǒng)一考試英語(yǔ)試卷(江蘇卷帶解析) 題型:閱讀理解


Franz Kafka wrote that “a book must be the ax (斧子) for the frozen sea inside us. ”I once shared this sentence with a class of seventh graders, and it didn’t seem to require any explanation.
We’d just finished John Steinbeck’s novel Of Mice and Men. When we read the end together out loud in class, my toughest boy, a star basketball player, wept a little, and so did I. “Are you crying?” one girl asked, as she got out of her chair to take a closer look. “I am,” I told her, “and the funny thing is I’ve read it many times.”
But they understood. When George shoots Lennie, the tragedy is that we realize it was always going to happen. In my 14 years of teaching in a New York City public middle school, I’ve taught kids with imprisoned parents, abusive parents, irresponsible parents; kids who are parents themselves; kids who are homeless; kids who grew up in violent neighborhoods. They understand, more than I ever will, the novel’s terrible logic—the giving way of dreams to fate (命運(yùn)).
For the last seven years, I have worked as a reading enrichment teacher, reading classic works of literature with small groups of students from grades six to eight. I originally proposed this idea to my headmaster after learning that a former excellent student of mine had transferred out of a selective high school—one that often attracts the literary-minded children of Manhattan’s upper classes—into a less competitive setting. The daughter of immigrants, with a father in prison, she perhaps felt uncomfortable with her new classmates. I thought additional “cultural capital” could help students like her develop better in high school, where they would unavoidably meet, perhaps for the first time, students who came from homes lined with bookshelves, whose parents had earned Ph. D.’s.
Along with Of Mice and Men, my groups read: Sounder, The Red Pony, Lord of the Flies, Romeo and Juliet and Macbeth. The students didn’t always read from the expected point of view. About The Red Pony, one student said, “it’s about being a man, it’s about manliness. ”I had never before seen the parallels between Scarface and Macbeth, nor had I heard Lady Macbeth’s soliloquies (獨(dú)白) read as raps (說(shuō)唱), but both made sense; the interpretations were playful, but serious. Once introduced to Steinbeck’s writing, one boy went on to read The Grapes of Wrath and told me repeatedly how amazing it was that “all these people hate each other, and they’re all white.” His historical view was broadening, his sense of his own country deepening. Year after year, former students visited and told me how prepared they had felt in their first year in college as a result of the classes.
Year after year, however, we are increasing the number of practice tests. We are trying to teach students to read increasingly complex texts, not for emotional punch (碰撞) but for text complexity. Yet, we cannot enrich (充實(shí)) the minds of our students by testing them on texts that ignore their hearts. We are teaching them that words do not amaze but confuse. We may succeed in raising test scores, but we will fail to teach them that reading can be transformative and that it belongs to them.
【小題1】The underlined words in Paragraph 1 probably mean that a book helps to __________.

A.realize our dreamsB.give support to our life
C.smooth away difficultiesD.a(chǎn)wake our emotions
【小題2】Why were the students able to understand the novel Of Mice and Men?
A.Because they spent much time reading it.
B.Because they had read the novel before.
C.Because they came from a public school.
D.Because they had similar life experiences.
【小題3】The girl left the selective high school possibly because__________.
A.she was a literary-minded girlB.her parents were immigrants
C.she couldn’t fit in with her classD.her father was then in prison
【小題4】To the author’s surprise, the students read the novels__________.
A.creativelyB.passivelyC.repeatedlyD.carelessly
【小題5】The author writes the passage mainly to__________.
A.introduce classic works of literature
B.a(chǎn)dvocate teaching literature to touch the heart
C.a(chǎn)rgue for equality among high school students
D.defend the current testing system

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科目:高中英語(yǔ) 來(lái)源:2012-2013學(xué)年四川省成都七中高一下學(xué)期期中考試英語(yǔ)試卷(帶解析) 題型:閱讀理解

Franz Kafka wrote that “a book must be the ax (斧子) for the frozen sea inside us. ”I once shared this sentence with a class of seventh graders, and it didn’t seem to require any explanation.
We’d just finished John Steinbeck’s novel Of Mice and Men. When we read the end together out loud in class, my toughest boy, a star basketball player, wept a little, and so did I. “Are you crying?” one girl asked, as she got out of her chair to take a closer look. “I am,” I told her, “and the funny thing is I’ve read it many times.”
But they understood. When George shoots Lennie, the tragedy is that we realize it was always going to happen. In my 14 years of teaching in a New York City public middle school, I’ve taught kids with imprisoned parents, abusive parents, irresponsible parents; kids who are parents themselves; kids who are homeless; kids who grew up in violent neighborhoods. They understand, more than I ever will, the novel’s terrible logic—the giving way of dreams to fate (命運(yùn)).
For the last seven years, I have worked as a reading enrichment teacher, reading classic works of literature with small groups of students from grades six to eight. I originally proposed this idea to my headmaster after learning that a former excellent student of mine had transferred out of a selective high school—one that often attracts the literary-minded children of Manhattan’s upper classes—into a less competitive setting. The daughter of immigrants, with a father in prison, she perhaps felt uncomfortable with her new classmates. I thought additional “cultural capital” could help students like her develop better in high school, where they would unavoidably meet, perhaps for the first time, students who came from homes lined with bookshelves, whose parents had earned Ph. Ds.
Along with Of Mice and Men, my groups read: Sounder, The Red Pony, Lord of the Flies, Romeo and Juliet and Macbeth. The students didn’t always read from the expected point of view.   About The Red Pony, one student said, “it’s about being a man, it’s about manliness.”I had never before seen the parallels between Scarface and Macbeth, nor had I heard Lady Macbeth’s soliloquies (獨(dú)白) read as raps (說(shuō)唱), but both made sense; The interpretations were playful, but serious. Once introduced to Steinbeck’s writing, one boy went on to read The Grapes of Wrath and told me repeatedly how amazing it was that “all these people hate each other, and they’re all white.” His historical view was broadening, his sense of his own country deepening. Year after year, former students visited and told me how prepared they had felt in their first year in college as a result of the classes.
Year after year, however, we are increasing the number of practice tests. We are trying to teach students to read increasingly complex texts, not for emotional punch (碰撞) but for text complexity. Yet, we cannot enrich (充實(shí)) the minds of our students by testing them on texts that ignore their hearts. We are teaching them that words do not amaze but confuse. We may succeed in raising test scores, but we will fail to teach them that reading can be transformative and that it belongs to them.
【小題1】The underlined words in Paragraph 1 probably mean that a book helps to __________.

A.realize our dreamsB.give support to our life
C.smooth away difficultiesD.a(chǎn)wake our emotions
【小題2】Why were the students able to understand the novel Of Mice and Men?
A.Because they spent much time reading it.
B.Because they had read the novel before.
C.Because they came from a public school.
D.Because they had similar life experiences.
【小題3】The girl left the selective high school possibly because__________.
A.she was a literary-minded girlB.her parents were immigrants
C.she couldn’t fit in with her classD.her father was then in prison
【小題4】To the author’s surprise, the students read the novels__________.
A.creativelyB.passivelyC.repeatedlyD.carelessly
【小題5】The author writes the passage mainly to__________.
A.introduce classic works of literature
B.a(chǎn)dvocate(倡導(dǎo)) teaching literature to touch the heart
C.a(chǎn)rgue for equality among high school students
D.defend the current testing system

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科目:高中英語(yǔ) 來(lái)源:2015屆四川省高一下學(xué)期期中考試英語(yǔ)試卷(解析版) 題型:閱讀理解

Franz Kafka wrote that “a book must be the ax (斧子) for the frozen sea inside us. ”I once shared this sentence with a class of seventh graders, and it didn’t seem to require any explanation.

We’d just finished John Steinbeck’s novel Of Mice and Men. When we read the end together out loud in class, my toughest boy, a star basketball player, wept a little, and so did I. “Are you crying?” one girl asked, as she got out of her chair to take a closer look. “I am,” I told her, “and the funny thing is I’ve read it many times.”

But they understood. When George shoots Lennie, the tragedy is that we realize it was always going to happen. In my 14 years of teaching in a New York City public middle school, I’ve taught kids with imprisoned parents, abusive parents, irresponsible parents; kids who are parents themselves; kids who are homeless; kids who grew up in violent neighborhoods. They understand, more than I ever will, the novel’s terrible logic—the giving way of dreams to fate (命運(yùn)).

For the last seven years, I have worked as a reading enrichment teacher, reading classic works of literature with small groups of students from grades six to eight. I originally proposed this idea to my headmaster after learning that a former excellent student of mine had transferred out of a selective high school—one that often attracts the literary-minded children of Manhattan’s upper classes—into a less competitive setting. The daughter of immigrants, with a father in prison, she perhaps felt uncomfortable with her new classmates. I thought additional “cultural capital” could help students like her develop better in high school, where they would unavoidably meet, perhaps for the first time, students who came from homes lined with bookshelves, whose parents had earned Ph. Ds.

Along with Of Mice and Men, my groups read: Sounder, The Red Pony, Lord of the Flies, Romeo and Juliet and Macbeth. The students didn’t always read from the expected point of view.   About The Red Pony, one student said, “it’s about being a man, it’s about manliness.”I had never before seen the parallels between Scarface and Macbeth, nor had I heard Lady Macbeth’s soliloquies (獨(dú)白) read as raps (說(shuō)唱), but both made sense; The interpretations were playful, but serious. Once introduced to Steinbeck’s writing, one boy went on to read The Grapes of Wrath and told me repeatedly how amazing it was that “all these people hate each other, and they’re all white.” His historical view was broadening, his sense of his own country deepening. Year after year, former students visited and told me how prepared they had felt in their first year in college as a result of the classes.

Year after year, however, we are increasing the number of practice tests. We are trying to teach students to read increasingly complex texts, not for emotional punch (碰撞) but for text complexity. Yet, we cannot enrich (充實(shí)) the minds of our students by testing them on texts that ignore their hearts. We are teaching them that words do not amaze but confuse. We may succeed in raising test scores, but we will fail to teach them that reading can be transformative and that it belongs to them.

1.The underlined words in Paragraph 1 probably mean that a book helps to __________.

A.realize our dreams                      B.give support to our life

C.smooth away difficulties                  D.a(chǎn)wake our emotions

2.Why were the students able to understand the novel Of Mice and Men?

A.Because they spent much time reading it.

B.Because they had read the novel before.

C.Because they came from a public school.

D.Because they had similar life experiences.

3.The girl left the selective high school possibly because__________.

A.she was a literary-minded girl              B.her parents were immigrants

C.she couldn’t fit in with her class           D.her father was then in prison

4.To the author’s surprise, the students read the novels__________.

A.creatively         B.passively          C.repeatedly        D.carelessly

5.The author writes the passage mainly to__________.

A.introduce classic works of literature

B.a(chǎn)dvocate(倡導(dǎo)) teaching literature to touch the heart

C.a(chǎn)rgue for equality among high school students

D.defend the current testing system

 

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